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[품절]Line6 M13 Stompbox

 

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11361

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TOTAL STOMPBOX EXPERIENCE
M13 Stompbox Modeler is the essential all-in-one pedal board experience. It features a comprehensive collection of stompbox effects, a full-featured looper and inspiring flexibility. Free of complicated menus or setup, M13 Stompbox Modeler channels the soul and ease of a classic stompbox.

Boasting over 100 distinctive distortions, velvety reverbs, juicy delays and more, M13 Stompbox Modeler gives you total tone control. Use up to four different effects - or four of the same - simultaneously. Stompbox-style knobs deliver on-the-fly tweaking.

Order the effects any way you want. Create different pedal board effect arrangements, or "scenes," to instantly recall an entire song's stompboxes. Save a scene for your metal band, one for your Top 40 gig…you get the picture. No more tearing up Velcro® just to change one or two pedals! Save up to 48 scenes and back them up to your computer using the MIDI in/out.

The 28-second looper is always at the ready with dedicated footswitches for Play/Stop, Half Speed, Reverse, Undo/Redo and more. Each metal footswitch can withstand constant stomping and rock and roll-style abuse.

Easy to use, built like a tank and sporting an on-board chromatic tuner, M13 Stompbox Modeler can maximize your pedal board (or even replace it) like no other pedal can.

 

A COMPLETE COLLECTION OF FX
M13 Stompbox Modeler gives you an instant collection of vintage and modern stompbox tones and effects. Sink your teeth into more than 100 tangy choruses, syrupy sweet reverbs, distinctive distortions, and more. Many of the effects are from famous Line 6 pedals and rack units including DL4™ Delay Modeler, DM4™ Distortion Modeler, FM4™ Filter Modeler, MM4™ Modulation Modeler, Verbzilla® and Echo Pro™.

Built like four side-by-side effect units, M13 Stompbox Modeler lets you run any four effects simultaneously with eight others on deck. Mix and match as you please. You have 100% control over effect placement and effect type - arrange them into tried-and-true combinations or get creative and cook up your own original blends.

Take advantage of Universal Tap Tempo to sync all your time-based effects like mods and delays!

Up to 48 different effect arrangements, or "scenes," can be created. Create one for your metal band, one for your Top 40 gig…you get the picture. No more tearing up Velcro® just to switch out one or two pedals!

The built-in sound-on-sound looper is easy to use. Dedicated footswitches for Record/Overdub, Play/Stop, Play Once, Undo/Redo, Half Speed, and Reverse make it a breeze to operate. Even novice loop enthusiasts will be making music immediately. (Advanced users will appreciate the extended 28-second looping time and the looper controls that can be triggered via MIDI.)

Feast your eyes:

   19 DELAYS
  Digital Delay A great workhorse effect, this straight-up digital delay has a transparent and pristine echo-echo-echo-echo...
  Analog Echo Analog Echo is inspired by* the warm and distorted delays of a Boss® DM2 Analog Echo.
  Analog w/ Mod Inspired by* the cherished tone of an Electro-Harmonix® Deluxe Memory Man, Analog w/ Mod delivers an organic-sounding analog delay with a generous dollop of lush, spatial chorus.
  Tape Echo Tape Echo is inspired by* the unmistakable depth and sweetness of the Maestro® EP-3 Echoplex, which used transistor sound electronics instead of tubes.
  Tape Echo Dry Thru Your dry signal with Tape Echo repeats.
  Multi-Head Multi-Head delay is inspired by* the sound created by the multiple playback heads of the Roland® RE-101 Space Echo.
  Sweep Echo Add a sweeping warble to the Tube Echo repeats and you've got Sweep Echo. This unique tone adds a tangy flavor to your delays.
  Sweep Echo Dry Thru Your dry signal with Sweep Echo repeats.
  Reverse !seltaeB eht dna xirdneH imiJ ekil tsuJ Whatever you play comes out backwards.
  Tube Echo Like peanut butter and chocolate, tubes and tape are a great combination. Tube Echo is inspired by* a Maestro® EP-1.
  Tube Echo Dry Thru Your dry signal with Tube Echo repeats.
  Lo Res Delay Inspired by the unique grunge and noise of early digital delay units. Many of which had only 8-bit resolution.
  Digital Delay w/ Mod Digital Delay w/ Mod adds a juicy chorus effect to your digital delay.
  Stereo Delay The secret to the "Big L.A. Solo" sound of the '80s! Set one side as a fast echo with many repeats, and the other side as a slow delay with few repeats. Voilà, you're famous!
  Ping Pong Two separate channels of delay. The output of each channel bounces into the other to create the ping pong effect.
  Dynamic Delay Dynamic Delay features a ducking control to keep the delays from overwhelming what you're playing. Inspired by* a T.C. Electronic® 2290 Dynamic Digital Delay.
  Auto-Volume Delay Two effects in one! A volume fade-in swell and an echo complete with tape-style wow-and-flutter modulation.
  Echo Platter Inspired by* a Binson EchoRec, which inspired bands like Pink Floyd. Rather than using tape, the EchoRec used a magnetic platter to record and play back.
  Echo Platter Dry Thru Your dry signal with Echo Platter repeats.
23 MODS
  Opto Tremolo Opto Trem is inspired by* the optical tremolo circuit that was used in the blackface Fender® amps like the '64 Deluxe Reverb®.
  Bias Tremolo Bias Trem is inspired by* the 1960 Vox® AC-15 Tremolo, which got its pulse by literally varying the bias of the power amp tubes.
  Phaser Phaser is inspired by* the sound of an MXR® Phase 90 but it's got a few extra parameters to bring you there and back again.
  Dual Phaser Dual Phaser delivers a big jet sound inspired by* a Mu-Tron® Bi-Phase.
  Panned Phaser A hypnotizing phaser that slithers from side to side. Inspired by* the sound of an Ibanez® Flying Pan, which is a four-stage phase shifter with a panner built in.
U-Vibe Inspired by* the pulsing push of the now-legendary Uni-Vibe®. One listen to "Machine Gun" and you'll be hooked!
Analog Flange Inspired by* the classic MXR® Flanger, which was made classic on Van Halen's Fair Warning and Women and Children First.
Jet Flanger Compared to Analog Flange, Jet Flanger is more dramatic with a different wave shape. Inspired by* the signature jet-like sweep of an A/DA Flanger.
Analog Chorus Inspired by* the big and warm tones of a Boss® CE-1 Chorus Ensemble, the original stompbox chorus.
Tri Chorus Tri Chorus is inspired by* the larger-than-life sound of a Song Bird/DyTronics Tri-Stereo Chorus.
Pitch Vibrato Inspired by* the Boss® VB-2, which contained a circuit that produced a bubbly vibrato. This pedal (and this model) feature a "rise time" control that when engaged speeds up to where you last set it.
Panner This effect pans back and forth between your left and right channels. If you run it in mono, it's basically tremolo.
Rotary Drum Inspired by* the Fender® Vibratone. This rotating speaker effect was popular with SRV. Think "Cold Shot."
Rotary Drum/Horn Inspired by* a Leslie® 145 tube-driven cabinet with a rotating speaker. Guitarists have always loved its signature shimmer.
Dimension Inspired by* the Roland® Dimension D, one of the first true-stereo chorus units. It's relatively subtle in nature and became an industry standard for double-track effects.
Ring Modulator Perfect for those late-night jams when only the weirdest, wildest sounds will do.
Barber Pole Phaser A classic effect from the world of modular synths. Depending on how you set it, this phaser either sounds like it's always going up or always down. Set to stereo you get both!
Frequency Shifter Shift frequencies up or down and set the mix to 100% for an otherworldly tone. Or dial it back to add interesting colors to leads.
Script Phase Just add the "brown" sound and you're emulating one of rock's most celebrated guitar tones! Inspired by* an MXR® Phase 90. Speed control only, just like the original.
AC Flanger The variety of vibey effects available from AC Flanger are inspired by* the classic tones of the MXR® Flanger
80A Flanger The gritty and spacey sweeps of 80A Flanger are inspired by* the distinctive sound of the A/DA Flanger.
Pattern Tremolo Engage up to four tremolo patterns to play in sequence. This is a truly original textural effect inspired by* a Lightfoot Labs Goatkeeper.
   17 DISTORTIONS
Tube Drive A sweet, singing sustain craved by guitarists worldwide. Inspired by* the tone of a Chandler Tube Driver®.
Screamer Inspired by the smooth medium-gain tones of the collectable original, Screamer is based on* an Ibanez® Tube Screamer®.
Overdrive Inspired by* a DOD® Overdrive/Preamp 250, which was designed to slam the input of a tube amp forcing it to distort violently.
Classic Distortion Angry and aggressive, Classic Distortion is inspired by* a ProCo Rat.
Heavy Distortion The industry-standard heavy metal distortion of the late '80s. Inspired by* a Boss® Metal Zone.
Colordrive Colordrive will transport you back to the breeding ground of British guitar heroes. Inspired by* a Colorsound® Overdriver.
Buzz Saw Take a deep breath and repeat: "I can't get no (duh, duh, duh) Satisfaction." Inspired by* a Maestro® Fuzz Tone.
Facial Fuzz Bottom-heavy distortion inspired by* the Arbiter Fuzz Face, which is associated with the tones of Jimi Hendrix and Eric Johnson.
Jumbo Fuzz Jumbo Fuzz delivers a bright bite reminiscent of the fuzz tones heard all over the first two Led Zeppelin records. Inspired by* a Vox® Tone Bender.
Fuzz Pi Fuzz Pi delivers plenty of thick distortion and oceans of sustain inspired by* the tone of an Electro-Harmonix® Big Muff Pi®.
Jet Fuzz Part fuzz/part phaser, Jet Fuzz delivers the best of both. Inspired by* the Roland® Jet Phaser.
Line 6 Drive If we could go back to the 60s and be a part of the fuzz revolution, this is what we'd design. Inspired by* the Colorsound® Tone Bender.
Line 6 Distortion Completely saturated and over the top, Line 6 Distortion is massive and totally crazy.
Sub Octave Fuzz Biting fuzz with an octave below! Excellent for bass guitar. Inspired by* the PAiA Roctave Divider.
Octave Fuzz White-hot fuzz with an octave above! This classic fuzz+octave effect was used by Jimi and other pioneering players. Inspired by* the Tycobrahe® Octavia.
Boost Comp A punchy boost of gain inspired by* an MXR® Micro Amp. The compressor can add hang time to your sustain and fill out your leads.
Volume Pedal Expressive pedal steel-style swells that are ideal for use with a Line 6 EX-1™ Expression Pedal.
Bass Octaver This effect gives you a single clean note one octave down. Bassists love it but guitarists (including Jeff Beck) are known to bust it out, too. Inspired by* the tone of an EBS OctaBass.
   12 COMPRESSORS AND EQS
Red Comp Red Comp evens out your volume and adds plenty of sustain. Ideal for slow leads. Inspired by* the MXR® Dyna Comp stompbox compressor.
Blue Comp Inspired by* the Boss® CS-1 Compression Sustainer (with the treble switch off), Blue Comp delivers warm, percussive qualities that are great for cleaner tones.
Blue Comp Treb Inspired by* the Boss® CS-1 Compression Sustainer (with the treble switch on). Kick on this model when you want your leads to really pop!
Vetta Comp Adopted from our Vetta™ II guitar amplifier, Vetta Comp delivers a fixed compression ratio of 2.35:1 with an adjustable threshold and up to 12dB of available gain at the Level knob.
Vetta Juice A colorful boost taken from our Vetta™ II guitar amplifier, Vetta Juice pours out up to 30dB of available gain at the Level knob.
Tube Comp Tube-style compression with added low-end warmth inspired by* the characteristic color of the Teletronix® LA-2A® compressor, a studio standard.
Noise Gate Eliminate the hiss from noisy pickups, or the white noise of extremely high-gain distortions.
Graphic EQ A five-band graphic EQ inspired by* graphic EQ pedals like the MXR® ten-band graphic equalizer, which was an integral part of Randy Rhoads's live rig.
Studio EQ Featuring a constant Q and soft clipping output with level control, Studio EQ is inspired by* an API® 550B.
Parametric EQ This EQ is complete with a high shelf, a low shelf and a fully parametric band.
4 Band Shift EQ A typical four-band graphic EQ with a twist: the shifter can move the lower bands lower and the higher bands higher.
Mid Focus EQ A high-pass and a low-pass each with frequency and gain control used together to create a band-pass.
   26 FILTERS
Tron Up Part Auto Wah and part triggered filter, Tron Up delivers a seriously funky vibe. Inspired by* the Mu-Tron® III envelope follower.
Tron Down Part Auto Wah and part triggered filter, Tron Down delivers a seriously funky vibe. Inspired by* the Mu-Tron® III envelope follower.
Seeker Up to nine "parked" wah filters set at varying positions and then used in sequence to create a pulsating, hypnotic vibe. Inspired by* the Z-Vex Seek Wah.
Obi Wah Obi Wah creates sequential changes in tone by emphasizing random frequencies. Inspired by* the Oberheim® Voltage Controlled sample-and-hold filter.
Voice Box Let your guitar Come Alive with the sound of a classic talk box. Inspired by vocoders, vocal tracts and surgical tubing.
V Tron Your guitar "speaks" with an almost human voice in response to your playing. Inspired by* Voice Box and a Mu-Tron® III.
Throbber Perfect for a multitude of cool electronica-style sounds and textures, Throbber is inspired by* the Electrix® Filter Factory.
Spin Cycle This is what headphone mixes were made for! Imagine two wahs panned left and right working in opposite directions from each other. Inspired by* Craig Anderton's Wah/Anti-Wah.
Comet Trails Spooky and otherworldly, Comet Trails provides an enchanting pulse for you to add to your tone.
Slow Filter This triggered filter rolls off your high-end with adjustable speeds.
Octisynth Not to be missed, Octisynth provides textures that are equally at home in a mad scientist's laboratory or miles below sea level among its eight-armed namesake.
Synth-O-Matic Synth-O-Matic features waveforms from a mouth-watering collection of vintage analog synths.
Attack Synth Inspired by* a waveform and wave-shaping functions of a Korg® X911 Guitar Synth
Synth String A monophonic synth sound inspired by* the Roland® GR700 Guitar Synth.
Growler Named Growler for a reason, this model produces a sinister "Grrrrrrrrr" that's inspired by* a Roland® GR700 Guitar Synth and a Mu-Tron® III.
Q Filter Your very own parked wah! Let your solos soar with the colorful "honk" that became a signature tone of Mark Knopfler and Brian May.
Vetta Wah Our interpretation of the classic wah sound. Connect a Line 6 EX-1™ Expression Pedal to take advantage of this effect. Adopted from our Vetta™ II guitar amplifier.
Fassel Fassel is inspired by* a CryBaby® Super, which is coveted for the mojo of its Fasel inductor.
Weeper Inspired by* the Arbiter Cry Baby®, this model is a variation with a different inductor and other component choices.
Chrome Inspired by* the classic '60s sound of a Vox® V847, Chrome comes complete with the legendary growl of the original.
Chrome Custom Inspired by* the sound of a modded Vox® V847 with tweaked gain staging on the first transistor stage, an aftermarket inductor, the Q widened and replaced with a 470k pot.
Throaty Inspired by* the incredibly musical sweep of a hand-built Real McCoy RMC1, Throaty produces rich mids and a strong low-end.
Conductor Inspired by* the distinctive sound of a vintage Maestro® Boomerang. (Think "Shaft.")
Colorful Inspired by* the wah section of a Colorsound® Wah/Fuzz.
Smart Harmony Turn that 6-string into a 12-string, rip some '80s dual leads and so much more. This intelligent pitch shifter is inspired by* an Eventide® H3000.
Pitch Glide Four-octave range! Drop some dive bombs and throw some ice picks, a la Tom Morello. Connect an FBV™ MkII foot controller or EX-1™ Expression Pedal for the full effect. Inspired by* a Digitech Whammy®.
   12 REVERBS
'63 Spring Perfect for surf guitar tones and spaghetti western soundtracks! Inspired by* a 1963 brown spring-reverb head.
Lux Spring Reverb Lux Spring Reverb is inspired by studio-standard spring reverbs whose characteristic resonant sounds were created by springs suspended inside a metal box.
Vintage Plate Reverb Vintage Plate Reverb is inspired by studio plate reverbs with metallic-sounding resonant qualities.
Room Simulates the reflections and other acoustic properties of a classic echo chamber.
Chamber A dreamy reverb inspired by an elongated ambient space (like a hallway, stairwell or elevator shaft).
Hall A strong reverb tail to simulate the sound of a large open space (like a gymnasium, performance hall or cathedral).
Ducking This hall reverb adds a "ducking" effect: the volume of the reverb goes down while you play, and back up when you stop.
Octo Creates a lush, ambient space with a harmonized decay that's reminiscent of a pipe organ. Use volume swells and prepare to float on cloud 9!
Cave A surreal and cavernous echo chamber you'll need a helmet light to escape from.
Tile Emulates the acoustic properties of a tiled room (like a bathroom or shower) with clear and bright early reflections.
Echo Just like it says: echo... echo...echo. This is a lush echo with reverb.
Particle Verb A Line 6 original that turns your chords into a modulated pad. Three modes - Stable, Critical and Hazard - take you from lush and pure to manic and a little insane.

 

 

 

  • How many different kinds of effects are included in M13 Stompbox Modeler?
  • More than you will ever be able to use on any one gig. The best of the best of modern and vintage delays, tremolos, phasers, flangers and rotary drums; choruses, ring modulators, classic overdrives to modern metal distortions and fuzz and beyond; a killer ocataver (perfect for bass), filters galore from envelope followers, filter wahs, voice box and crazy synth sounds. And if that’s not enough, there’s even a plethora of great reverbs with studio-grade algorithms to mimic rooms to caves and beyond.

    Check out the entire model list!

  • Does M13 Stompbox Modeler include guitar amp or cab modeling?
  • Nope. Just stompboxes.

  • Does each model really have dedicated controls?
  • Absolutely. Everything is W.Y.S.I.W.Y.G. (or, what you see is what you get), just like turning a knob on your favorite stompbox.

  • Can I use my other pedals with M13 Stompbox Modeler?
  • Of course. M13 Stompbox Modeler features True Bypass and a stereo effects loop so you can put your other pedals anywhere in front, behind or in the middle of your stompbox modeler.

  • What's True Bypass and why should I care?
  • True Bypass means that when all the effects are off, your signal bypasses the pedal's internal electronics and goes from the inputs directly to the outputs via a relay bypass circuit.

  • Is M13 Stompbox Modeler big and heavy?
  • No. It'll fit on your pedal board. Are you familiar with DL4™, our green four-button delay pedal? M13 is about the size of two of them. It's about 10 lbs and strong enough to take a beating.

  • Will the looper still work while I'm changing sounds and scenes?
  • Absolutely. Once you have captured your looped creation, leave it repeating and go back to using any of the effects. (You can also control the looper behind the scenes via a MIDI controller.)

  • Where's the tuner?
  • It’s got a dedicated footswitch and, when activated, the tuner shows up in the LCD.

  • When the tuner is activated, does it mute the stompbox sounds?
  • Yes. By default, once the tuner is activated the all signals are muted. (But you can choose to have your dry signal pass through.)

  • Can I direct record with my M13 Stompbox Modeler?
  • Probably not. It would be just like plugging a stompbox straight into your recording rig. (But we've heard of artists who plug their M13 into a Pocket POD® and use its amp simulation for direct recording.)

  • Can I use M13 Stompbox Modeler with instruments other than guitar?
  • Definitely. It'll sound amazing with bass (try the killer octave effect called Bass Octaver, filed under Distortions) and keyboards, too. Keyboard players will appreciate the stereo inputs and outputs.

  • What is a "scene"?
  • A scene is a pedal board arrangement on your M13 Stompbox Modeler. You can create and save up to 48 different scenes. Create one for your metal band, one for your punk band, one for your Top 40 gig…you get the picture. No more tearing up Velcro® just to change one or two pedals.

  • Can I backup my scenes to my computer?
  • Yes! Use the MIDI in/out.

  • What do the colored lights on each footswitch mean?
  • Each color references a specific type of effect: green is for Delays, blue is for Modulations, purple is for Filters, yellow is for Distortions and orange is for Reverbs. The colors are based on individual Line 6 stompbox modelers.

  • Can I use Expressional pedals with my M13 Stompbox Modeler?
  • Yup. Expression pedals allow you to change stompbox controls using your feet so you can adjust the sound while you play. On the fly, you can modify the length of your delay time, dial up the reverb mix or change the depth of your tremolo.

    Check out the Line 6 EX-1™ Expression Pedal.

  • Does M13 Stompbox Modeler include models from the DL4?
  • Yes, it includes all of the delay models from DL4 plus a killer delay called Echo Platter from Echo Pro™. It also includes all the models from DM4™, FM4™, MM4™ and Verbzilla®. The full list of models can be found here.

  • How does the looper compare with that of the DL4?
  • Much like the DL4, it's a straight-forward sound-on-sound looper (where you can build up sounds by overdubbing them one at time) but we have made a few upgrades: you can loop up to 28 seconds, you get one layer of undo/redo and you can use all of your effects while using the looper.

  • How does M13 Stompbox Modeler compare to POD® X3 Live?
  • They are different animals designed for entirely different uses. M13 Stompbox Modeler is built for players who want a massive collection of premium stompbox sounds to play with in front of their amp. There are no amp models.

  • How is M13 Stompbox Modeler different from other multi-effects products?
  • M13 Stompbox Modeler is constructed like a stompbox pedal board. Simple to use, a knob for every control and no deep menus to program or edit, in other words, no presets—what you see is what you get.

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